“This is no way to treat a king”
A fascinating one this, an adaptation of Gogol’s Diary of A Madman by the Israeli “Ayit” Ensemble (made up of actors from and around the Negev and Beer Sheva) which is performed wordlessly, employing instead a range of movement techniques, live video art and projections, a pulsing contemporary soundtrack and theatrical trickery to produce a dizzying non-stop hour of theatre.
BPolar follows the life of a minor civil servant, from his troubled upbringing with a violent father to a misguided obsession with his manager’s daughter, to a descent into the turmoil of the bipolar disorder that haunts him. And Yoav Michaeli’s production proves a canny way of depicting mental illness by creating an immersive experience that is near-overwhelming in its scope. Continue reading “Review: BPolar, VAULT Festival”