Some stunning design work elevates new play Instructions for Correct Assembly at the Royal Court
“Of course they’re a bit more unreliable, these flatpack ones”
Instructions for Thomas Eccleshare’s Instructions for Correct Assembly
Take a Verity Bargate Award-winning (for Pastoral) playwright and give him his Royal Court debut with a gently futuristic play about families and failures and robot surrogates.
Find a director with real previous in quirky stagings at the Royal Court (Goats, Who Cares, Teh Internet is Serious Business) and a designer up for the challenge of maintaining the ingenious and striking look of current main house productions with its middle-class modernity.
Up the ante by introducing illusionist Paul Kieve into the mix to put together some properly mind-boggling trickery and have a crack stage management team under Kate Aisling Jones’ leadership support actor Brian Vernel in accomplishing said illusions.
Pull together a top-notch cast including the always good Mark Bonnar (returning to the stage after six years) and the wonderful Jane Horrocks.
Continue reading “Review: Instructions for Correct Assembly, Royal Court”
Leanne Best for The Match Box at The Tricycle
Lucy Ellinson for Grounded at The Gate
Vicki Lee Taylor for On A Clear Day You Can See Forever at The Union
Phoebe Waller-Bridge for Fleabag at Soho
Joe Armstrong for The Dumb Waiter at The Print Room
James Cooney for Bottleneck at Soho
Michael Pennington for Dances of Death at The Gate
Jamie Samuel for Jumpers for Goalposts at The Bush
Best New Play
Bottleneck by Luke Barnes at Soho
Jumpers for Goalposts by Tom Wells at The Bush
The Match Box by Frank McGuinness at The Tricycle Continue reading “2014 Offie Award Finalists”
“They got me outside Habitat”
Thomas Eccleshare’s Pastoral came highly recommended to me, having transferred to the Soho Theatre after premiering at HighTide, but I have to say that this bleakly comic take on ecological catastrophe left me rather cold. All rational people know that whatever ever they offer you, [you] don’t feed the plants, but somebody seems to have ignored that and consequently this version of England is being taken over by the countryside. Hunting for an escape, a small group of people take shelter in a house as they struggle to adapt to their new circumstances but it soon becomes clear that Mother Nature is being a bitch tonight.
That said, they’re closer to having a kiki than you might think. Eccleshare invests his characters with a mordant sense of humour from the off, primarily in Anna Calder-Marshall’s excellent Moll who rips through her dislikes with zero regard for political correctness. The arrival of a family unit seems to locate us further in single-room sitcom territory, especially as the tales that everyone tells of their disintegrating world are of unlikely sightings such as wild mushrooms growing in Subway, rabbits in Aldi and a babbling brook complete with herons and kingfishers breaking through outside of Nandos. Continue reading “Review: Pastoral, Soho Theatre”