A belated report on a family trip to the Lowry to see the touring version of the ever-exciting Six the Musical
“It’s the end of the show of the historemix
We switched up the flow and we changed the prefix”
It’s not too often that I get to go to the theatre with my whole family, so a festive trip to the Lowry to see Six the Musical was a definite treat over Christmas. And to see it from the front row too…quite the experience. I’ve seen the show one and a bit times before so I knew what to expect, but the thrill of being that close really did make a difference (even if I was convinced that Katherine Howard was going to kick me in the face at some point or other!).
And it was great to see all 10 of us really enjoy ourselves, grandparents to grandkids (and me the middle child, what else?!). Toby Marlow and Lucy Moss’ anarchic history – sorry, herstory! – lesson has lost none of its effervescence or energy in this touring version. It helps of course that it is a relatively lo-tech show to run but it has clearly settled well in Salford for this Christmas sojourn as it was packed out and an extra week has been added to the schedule too. Continue reading “Review: Six the Musical, Lowry”
BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre
BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”
Some decisions that reflect my own nominations for the year, many others for plays I haven’t seen and as ever, some curious choices too.
Gabriella Slade for Six at the Arts Theatre
Jonathan Lipman for Harold & Maude at the Charing Cross Theatre
Pam Tait for Rothschild & Sons at the Park Theatre
Bethany Wells for Distance at the Park Theatre
Francis O’Connor for Harold & Maude at the Charing Cross Theatre
Simon Daw for Humble Boy at the Orange Tree Theatre Continue reading “The finalists of The Offies 2019”
Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
WINNER: Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording
Best American Cast Recording
Frozen – Original Broadway Cast Recording
WINNER: Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording
Best Solo Album
Audra McDonald – Sing Happy
WINNER: Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World
As we move towards the year end, so award season gets into full swing and What’s On Stage have now revealed their nominations celebrating everyone who works in theatre apart from sound designers and musical directors. As ever, these awards tend to work around which fanbase can weaponise the strongest and so there’s lots of love for shows which might not necessarily be troubling many other shortlists…
Still, am liking the recognition for Milly Thomas and Dust, Es Devlin’s luminous set work for Girls & Boys, and Six and The Grinning Man getting into the cast recording category (though can’t quite work out how Come From Away fits into there as well…). And it’s a bit sad that the way their eligibility period works means that Hamilton comes up against Company, making the supporting actress/actor categories ridiculously difficult to choose between.
You can vote here until 31st January, and winners will be announced on 3rd March.
Continue reading “2019 What’s On Stage Award nominations”
Thwarted in my attempts to see Six the Musical this week, the release of the brilliant cast recording couldn’t be better timed
“Too many years lost in his story”
We only got about 15 minutes of Six the Musical on Thursday night before a technical problem halted the performance, which was eventually then cancelled. So the release of the cast recording of the show couldn’t have been better timed until I work out how when I can fit in a rescheduled visit to the Arts Theatre.
Toby Marlow and Lucy Moss’ raucous reclamation of history…sorry, herstory, had a hugely successful run in Edinburgh after its initial showcase at the Arts at the beginning of the year. And it has maintained that buzz in fine style in capturing the attentions of a devoted audience, a portion of whom made the atmosphere for that initial quarter of an hour totally electric. Continue reading “Album Review: Six the Musical cast recording”
“What hurts more than a broken heart?‘
A severed head‘”
Lots of fun to be had with Six, an anarchic look at the roll-call of women who hitched their wagon to Henry VIII’s marital train. Toby Marlow and Lucy Moss’ fiercely modern style owes as much to the feminist punch of Lizzie as it does to the ground-breaking approach to history of Hamilton , and proved a highly entertaining hour of late-night theatre to brighten up a Monday night.
Quite why it has been shunted away to a handful of performances in a weekly slot at the Arts Theatre I’m not sure, though it has had the effect of ensuring a ‘sell-out season’ and amplified the love it has been receiving on social media and IRL too. Which is no bad thing I guess and hopefully will lead to some further life for Six, hopefully holding onto this cast, particularly the excellent Genesis Lynea.