Full casting has been announced for Queen’s Theatre Hornchurch’s upcoming production of Misfits, an innovative new hybrid of live theatre and digital content, playing 12-22 November 2020. Bookers will purchase a ticket which will allow them the choice of watching the show be performed live onstage in front of a socially
distanced audience or streamed to their homes, right up until the day of the show.
Misfits intertwines four inspirational tales of Essex resilience to make an unmissable world premiere by four of the region’s most exciting playwrights: Anne Odeke, Guleraana Mir, Kenny Emson and Sadie Hasler and will be co-directed by QTH Artistic Director Douglas Rintoul and Emma Baggott. The cast is Anne Odeke, who is also writing part of the piece, Gemma Salter, Mona Goodwin and Thomas Coombes. Continue reading “An assortment of October theatre news”
I succumb easily to the charms of Paddington 2 and Hugh Grant having the time of his life
“Exit bear, pursued by an actor”
In a year when sequels have outperformed expectations (at least mine anyway), I should have heeded the signs that Paddington 2 heralded back last winter that sequels were ‘in’. Paul King’s follow-up to his 2014 warm-hearted original, reintroducing us to our ursine Peruvian hero, occupies a similar space of resolutely British family films that are a cut above.
Written by King and Simon Farnaby, the film is unafraid to take its audience seriously and for every adorably sweet sequence, there’s genuine peril and even darkness in there too. Hugh Grant is the main antagonist, an actor called Phoenix Buchanan who has been reduced to making dog-food adverts and his ne’er-d-well ways see Paddington framed for a crime he did not commit. Continue reading “Review: Paddington 2 (2017)”
“Behold the wronged Duchess of Milan, Prospera”
Julie Taymor’s film of The Tempest sank from view rather quickly on its original release, despite having the eye-catching coup of Helen Mirren taking on the lead role – renamed here Prospera. It wasn’t the best of times for Taymor at the beginning of 2011, riding a rather torrid time over the debacle of the much-delayed Spiderman musical, and perhaps people didn’t take this work as seriously as they might have done otherwise. Her previous Shakespeare adaptation – the fierce Titus – was a film I found endlessly intriguing and so I was actually quite keen to see this and thus frustrated when I realised I would have to wait for the DVD to be released.
Was it worth the wait…well, I’m not sure it was to be honest. The casting of Mirren is inspired and the text carries the little tinkering it needs to accommodate the gender switch very well – she’s the Duchess of Milan whose husband is murdered and title usurped by brother Antonio – and there’s an interesting shift in emphasis of the parenting relationship, the testing of Ferdinand feels more rooted in ensuring he’s an ideal suitor for Felicity Jones’ willowy Miranda. And Mirren speaks the verse with an intense passion, a burning fervour of injustice never far away but underscored with a measure of warmth. Continue reading “DVD Review: The Tempest (Julie Taymor)”