Review: The Trackers of Oxyrhynchus, Finborough

The first show of this year was something fantastic 
Or was it? Can you tell I’m being sarcastic 
A satire on satyrs is quite an objective
Was all Greek to me though and far from effective 

Moving from Egypt to Greece and then London
The piece shifts from ancient times right through to modern
Written by a man named Tony Harrison
It sure is a play without comparison Continue reading “Review: The Trackers of Oxyrhynchus, Finborough”

Review: Women Centre Stage: Power Play Festival – 24 Hour Plays | Making Headlines

“Open your eyes, what do you see?”

It may well have had much to do with the fact that I was knackered after the previous six but I have to admit that the seventh final session of the Women Centre Stage: Power Play Festival was probably my least favourite of the day. The 24 Hour Plays | Making Headlines programme saw writers respond to headlines of the moment to create rapid response plays – none of which really lived up to the quality of the programmed works that had preceded them.

There were lots of interesting ideas floating around – Rebecca Lenkiewicz and director Anna Ledwich’s scorching take-down of Vogue’s declaration that the cleavage is out of fashion probably worked the best, interleaved with a young woman’s desperate search for adequate healthcare and the inadequacy of male responses to a serious discussion about breasts. And Charlene James’ kidnap drama with a twist gave Maggie Steed a cracking part to play, directed by Alice Hamilton. Continue reading “Review: Women Centre Stage: Power Play Festival – 24 Hour Plays | Making Headlines”