Tom Ratcliffe’s Circa feels just too fragmentary and ephemeral at the Old Red Lion Theatre to really convince
“Most people get to be happy with one person. I don’t see why I should have it any different”
I was a big fan of Tom Ratcliffe’s VELVET at the VAULT Festival and so was intrigued to catch this production of his debut play Circa at the Old Red Lion Theatre. But where VELVET taps right into contemporary culture with its gay perspective on the #MeToo era, Circa feels curiously dated.
The play follows the amorous adventures of a gay man at different stages in his life, ostensibly tracking the way in which gay relationships have developed over the decades. It’s a nifty conceit but one which struggles to come to full fruition here, one man’s shags over 30 years not necessarily equating to the evolution of modern gay life. Continue reading “Review: Circa, Old Red Lion Theatre”
VELVET proves a powerful piece investigating #MeToo from a gay perspective at the VAULT Festival
“People say I look like Tom Daley without the body”
Tom’s had a big break in getting the lead in a fringe play right out of drama school, he’s just moved in with his banker boyfriend of three years, and he couldn’t be happier. Ish. He’s even attracted the attentions of a big casting director but when Tom rejects his less-than-professional advances, he finds himself trapped in a nightmarish downwards spiral.
VELVET is written and performed by Tom Ratcliffe and taps directly into the #MeToo movement, approaching it from a slightly different angle. Tom may be cute and fit but acting is a cut-throat profession that mostly pays peanuts and as such, leaves far too many people open to exploitation. And sure enough, as he promotes his play on Grindr, Tom is drawn into a dangerous game. Continue reading “Review: VELVET , VAULT Festival”