Review: Avenue Q, New Wimbledon Theatre

This Sell A Door tour of the excellent puppet musical Avenue Q shows just how well it is standing the test of time

“You should be much more careful when you’re talking about the sensitive subject of race”

I do love Avenue Q. It was one of the first musicals that I fell in love with after moving to London, tracking it throughout its West End-theatre hopping run with multiple visits (a recap can be found here) and then popping in here and there to catch the occasional touring version. And it is a show to which my reactions have shifted: 13 years ago when I first saw it, its quarter-life crisis was directly recognisable; a little way down the line now, I’m the one saying ‘these kids are so much younger than me’ about this youthful company!

Premiering in 2003, the show – music and lyrics by Robert Lopez and Jeff Marx and book by Jeff Whitty – benefited hugely from coming into life in a slightly more innocent pre-social media time, a moment when Generation X didn’t face half as much opprobrium as millennia are forced to shoulder nowadays. And revisiting the show now, as this Sell A Door production kicks off a major UK tour scheduled to last most of the year, it is just lovely to be reminded of simpler times, of such uncomplicated good feeling. Continue reading “Review: Avenue Q, New Wimbledon Theatre”

Review: Avenue Q, Greenwich Theatre

“You gotta go after the things you want while you’re still in your prime…”

Since co-writing Avenue Q in 2002 with Jeff Marx and book-writer Jeff Whitty, Robert Lopez’s career has sky-rocketed with the mega-musical The Book of Mormon and Disney behemoth Frozen so the opportunity to revisit life with the puppets in the less salubrious parts of New York is a welcome one. Sell A Door’s production opens at the Greenwich Theatre and then will go an extensive tour of the UK, visiting 19 more theatres across the country to spread its often outrageous but always warm-hearted tales of the trials of day-to-day living in the big city.

So we follow fresh young graduate Princeton as his idealism gets slowly crushed by temp jobs and mounting bills and relief can only be found in booze and casual sex. Told in the style of an adult version of Sesame Street, the show is blessed with a brilliant witty score from Lopez and Marx which keeps a welcome edge to the show’s gooey heart and songs like ‘The Internet is for Porn’, ‘Everyone’s A Little Bit Racist’ and ‘If You Were Gay’ are instantly memorable classics which sit easily next to the bittersweet emotion of ‘It’s A Fine Fine Line’ and ‘Fantasies Come True’.  Continue reading “Review: Avenue Q, Greenwich Theatre”