Review: Killer Joe, Trafalgar Studios

Killer Joe is a horribly misjudged revival at Trafalgar Studios that makes a mockery of #MeToo, you and all of us

“Is she doin’ anybody any good?”

Just to be clear, I’m using the ‘she’ in the quote above to refer to the play itself here – an misjudged, tone-deaf revival of Tracy Letts’ Killer Joe, a poor poor replacement for The Grinning Man at the Trafalgar Studios and a curious choice indeed for Orlando Bloom to make a return to the West End stage.

Written in 1993 and marking Letts’ debut, it is a scorchingly nasty look at working-class American life, the desperation it forces some into, the impact that an unconstrained popular culture has on society. And whilst it may have resonated then, all that chimes now is a warning bell to keep the fuck away. Continue reading “Review: Killer Joe, Trafalgar Studios”

Oscar Week Film Review: The Post

Star names can’t hide the dullness here

“My decision stands, and I’m going to bed”

No. No, no, no. No. The fact that The Post has any Oscar nominations is testament to how much in thrall to star power the Academy is. And fair enough, the trifecta of Steven Spielberg, Tom Hanks and Meryl Streep is a weighty one. But this is a dull film, rushed through production to try and capitalise on topicality, that is being severely over-recognised here.

 

Oscar Week Film Review: Lady Bird

Nominated for 5 Academy Awards, Greta Gerwig’s Lady Bird is rather brilliant – will it make her only the second woman to ever win Best Director? And should Metcalf get the win as well…? (Yes, to both).

“I want you to be the very best version of yourself that you can be.
‘What if this is the best version?'”

It seems scarcely credible that Greta Gerwig is only the fifth woman to be recognised with an Academy Award nomination for directing a film – a statistic that is nothing but utterly shameful in so many ways. But nominated she is, and for the gloriously funny and undoubtedly excellent Lady Bird.

A coming-of-age story that matter-of-factly puts the emotional lives of its leading – female – characters front and centre to create a rich and poignant tale of mothers and daughters. And in the hands of Saoirse Ronan and Laurie Metcalf – also both Oscar-nominated – Lady Bird soars all the way home. Continue reading “Oscar Week Film Review: Lady Bird”

67th Tony Award winners

Best Performance by a Leading Actor in a Play 
Tracy Letts – Who’s Afraid of Virginia Woolf? as George
Tom Hanks – Lucky Guy as Mike McAlary
Nathan Lane – The Nance as Chauncey
David Hyde Pierce – Vanya and Sonia and Masha and Spike as Vanya
Tom Sturridge – Orphans as Phillip

Best Performance by a Leading Actress in a Play
Cicely Tyson – The Trip to Bountiful as Miss Carrie Watts
Laurie Metcalf – The Other Place as Juliana Smithton
Amy Morton – Who’s Afraid of Virginia Woolf? as Martha
Kristine Nielsen – Vanya and Sonia and Masha and Spike as Sonia
Holland Taylor – Ann as Ann Richards

Best Performance by a Leading Actor in a Musical 
Billy Porter – Kinky Boots as Lola
Bertie Carvel – Matilda the Musical as Miss Trunchbull
Santino Fontana – Rodgers & Hammerstein’s Cinderella as Prince Topher
Rob McClure – Chaplin as Charlie Chaplin
Stark Sands – Kinky Boots as Charlie Price Continue reading “67th Tony Award winners”

67th Tony Award nominations

Best Performance by a Leading Actor in a Play 
Tom Hanks – Lucky Guy as Mike McAlary
Nathan Lane – The Nance as Chauncey
Tracy Letts – Who’s Afraid of Virginia Woolf? as George
David Hyde Pierce – Vanya and Sonia and Masha and Spike as Vanya
Tom Sturridge – Orphans as Phillip

Best Performance by a Leading Actress in a Play
Laurie Metcalf – The Other Place as Juliana Smithton
Amy Morton – Who’s Afraid of Virginia Woolf? as Martha
Kristine Nielsen – Vanya and Sonia and Masha and Spike as Sonia
Holland Taylor – Ann as Ann Richards
Cicely Tyson – The Trip to Bountiful as Miss Carrie Watts

Best Performance by a Leading Actor in a Musical 
Bertie Carvel – Matilda the Musical as Miss Trunchbull
Santino Fontana – Rodgers & Hammerstein’s Cinderella as Prince Topher
Rob McClure – Chaplin as Charlie Chaplin
Billy Porter – Kinky Boots as Lola
Stark Sands – Kinky Boots as Charlie Price Continue reading “67th Tony Award nominations”

Critics’ Circle Awards 2009: the winners in full


Best New Play
August: Osage County by Tracy Letts

The Peter Hepple Award for Best Musical
Spring Awakening

Best Actor
Mark Rylance in Jerusalem

Best Actress
Rachel Weisz in A Streetcar Named Desire

The John and Wendy Trewin Award for Best Shakespearean Performance
Jude Law in Hamlet

Best Director
Rupert Goold for Enron

Best Designer
Christopher Oram for Red

Most Promising Playwright
Alia Bano for Shades

The Jack Tinker Award for Most Promising Newcomer [other than a playwright]
Tom Sturridge in Punk Rock