Album Review: The Sound of Music (2006 London Palladium Cast Recording)

“Today you have to learn to be a realist”

I wanted to love the London Palladium Cast Recording of The Sound of Music, I really did, but there’s just something missing, a magic ingredient or two gone awry which means that you can’t imagine it ever replacing the version of the score that you fell in love with, no matter which one that is.

This 2006 production was the first to use reality TV to cast its leading role – the BBC’s How Do You Solve a Problem Like Maria? proving to be a headline grabbing success and resulting in Connie Fisher winning the part of Maria, which she played for around 18 months in the end. She did experience the beginnings of vocal problems during the run, which have now pretty much put the kibosh on her musical theatre career, and it is hard not to feel that this recording does not capture Fisher at her best. Continue reading “Album Review: The Sound of Music (2006 London Palladium Cast Recording)”

Review: Carousel, London Coliseum

“The crowd of doubtin’ Thomases
Was predictin’ that the summer’d never come”

The English National Opera have had great success with their move into semi-staged revivals of classic pieces of musical theatre. Bryn Terfel and Emma Thompson lit up the Coliseum with Sweeney Todd in 2005, Glenn Close received an Olivier Award nomination for last year’s Sunset Boulevard, and so this year, we’re being treated to Richard Rodgers and Oscar Hammerstein II’s 1945 classic Carousel. I say treated…but with singers Alfie Boe and Katherine Jenkins cast as the show’s ill-fated lovers, this production is a bit of a challenge for musical theatre lovers. Read my three star review for Cheap Theatre Tickets here.

Running time: 2 hours 45 minutes (with interval)
Booking until 13th May

The Curtain Up Show Album of the Year 2016 nominees

Best UK Cast Recording
American Psycho – Original London Cast Recording
Close To You: Bacharach Reimagined – Original London Cast Recording
Funny Girl – Original London Cast Recording
Half A Sixpence – 2016 London Cast Recording
Kinky Boots – Original West End Cast Recording
Mrs Henderson Presents – Original London Cast Recording

Best American Cast Recording
Allegiance – Original Broadway Cast Recording
The Color Purple – New Broadway Cast Recording
Fiddler On The Roof – 2016 Broadway Cast Recording
Lazarus – Original Cast Recording
On Your Feet! – Original Broadway Cast Recording
Waitress – Original Broadway Cast Recording

Best Solo Album / Non Cast Recording
Cheyenne Jackson – Renaissance
Lin-Manuel Miranda – The Hamilton Mixtape
Idina Menzel – idina.
Kristin Chenoweth – The Art of Elegance
Nadim Naaman – Sides
Samantha Barks – Samantha Barks

CD Review: MS. A Song Cycle

“I wish you didn’t have to be in pain” 
 
Multiple Sclerosis affects over 100,000 people in the UK alone. 

 

One of the accusations often levelled by detractors of musical theatre is that it is fanciful, frivolous stuff, unable of taking subjects seriously. And whilst the form undoubtedly can have its lighter moments, I’d challenge anyone to listen to this new song cycle inspired by women living with multiple sclerosis and remain unmoved. MS. A Song Cycle is the brainchild of lyricist Rory Sherman, who has worked with SimG Productions, musical supervisor Ellie Verkerk and 14 different teams of composers and performers to create a delicately but undeniably powerful collection of stories, that gain in that power from being sung so beautifully as they are here.
 
More than two to three times more women are affected than men
 

Album Review: Kinky Boots (Original West End Cast Recording)

“I am freedom, I’m constriction
A potpourri of contradiction”

With rather serendipitous timing, the West End cast recording for Cyndi Lauper’s score for Kinky Boots is released just in time for the show’s Best New Musical victory at this year’s Olivier awards. And it is particularly good news for fans of the show as up until now, we’ve had to make do with the Broadway cast recording and their, challenging shall we say, approach to the requisite British accents.

Recorded live at the Adelphi with the original West End cast (including Best Actor in a Musical winner Matt Henry and nominees Killian Donnelly and Amy Lennox), it’s a welcome addition to playlists and CD collections everywhere.

The live recording is be a double-edged sword – there can be more raw energy than one might expect from a recording booth and that comes in the form of an audible audience. I quite like to hear their laughter, especially when it is from something familiar as in the comic genius of Lennox’s performance of ‘The History of Wrong Guys’ here, but the applause at the end of each track is jarring when listening to the album as a whole. And I’m not 100% certain but I’m pretty sure there’s someone coughing a couple of times which is a shame (though perfectly replicates sitting through pretty much any show!). Continue reading “Album Review: Kinky Boots (Original West End Cast Recording)”

The Curtain Up Show Album of the Year 2016 winners

Best UK Cast Recording
American Psycho – Original London Cast Recording
Close To You: Bacharach Reimagined – Original London Cast Recording
Funny Girl – Original London Cast Recording
Half A Sixpence – 2016 London Cast Recording
WINNER: Kinky Boots – Original West End Cast Recording
Mrs Henderson Presents – Original London Cast Recording

Best American Cast Recording
Allegiance – Original Broadway Cast Recording
The Color Purple – New Broadway Cast Recording
Fiddler On The Roof – 2016 Broadway Cast Recording
Lazarus – Original Cast Recording
On Your Feet! – Original Broadway Cast Recording
WINNER: Waitress – Original Broadway Cast Recording

Best Solo Album / Non Cast Recording
Cheyenne Jackson – Renaissance
WINNER: Lin-Manuel Miranda – The Hamilton Mixtape
Idina Menzel – idina.
Kristin Chenoweth – The Art of Elegance
Nadim Naaman – Sides
Samantha Barks – Samantha Barks

Re-review: Kinky Boots, Adelphi

Funk it up till it’s ostentatious
Dress it up, it feels contagious”

Now extended through to May next year, the signs for Kinky Boots look cautiously positive though nothing is certain in the cut-throat world of new musicals and on this second viewing, it really does feel like a well-deserved success. Jerry Mitchell’s production is a ray of tightly choreographed, dragged-up sunshine but what I loved about going back was finding that several of the tunes from Cyndi Lauper’s accomplished score have successfully navigated earworm territory to become properly memorable. 

‘Everybody Say Yeah’ and ‘Raise You Up/Just Be’ end the show’s two acts in brilliantly rousing fashion, ‘Sex is in the Heel’ and ‘What A Woman Wants’ give Matt Henry’s Lola ample opportunity to fill the stage with exuberant personality and Amy Lennox continues to pretty much steal the show, not least in ‘The History of Wrong Guys’. And Killian Donnelly effortlessly smooths over some of Charlie’s more dubious character flaws (poor Nicola…) by scorching through hits like ‘Soul of a Man’. Continue reading “Re-review: Kinky Boots, Adelphi”

Album Review: Sister Act the musical (Original London Cast Recording)

“Queen of Angels is not your grandma’s church anymore. God help your grandmother if it were.”

It was quite the unexpected pleasure returning to this soundtrack. My abiding memories of Sister Act the Musical were of initial disappointment that it wasn’t a retread of the film (one of my all-time favourites doncha know), the randomness of Whoopi Goldberg jetting in for a week of shows and the subsequent tour being rather good (if a little spoiled by the women behind me not shutting up for a minute). But listening to Alan Menken’s score, I was amazed how much of it I was able to easily recall – I may have seen the show 3 times but the last trip was back in 2012.

And how. From the raucous girl-group energy of openers ‘Take Me To Heaven’ and ‘Fabulous, Baby!’ to the (only slightly) more sedate musical offerings of the nuns’ choir in ‘Raise Your Voice’ and ‘Bless Our Show’, there’s a roof-raising joyousness to many of the songs that brings larger groups of the cast together. And leading from the front, the glorious Patina Miller is a full-throated pleasure to listen to as the divine Deloris, her voice soaring like a heavenly host but also capable of tenderness as in the stirring simplicity of the title track. Continue reading “Album Review: Sister Act the musical (Original London Cast Recording)”

Review: Sweeney Todd, London Coliseum

“At the top of the hole sit the privileged few”

And it is mostly the privileged few who’ll get to see this lavish English National Opera production of Sondheim’s oft-revived Sweeney Todd: The Demon Barber of Fleet Street as stalls seats will set you back an eye-watering £95, £125 or £155. Somewhat cheaper seats are available from the upper circle upwards but still…* Lonny Price’s semi-staged production (with its nifty fake-out of a beginning) was first seen in New York in March 2014 but unsurprisingly, given it featured Emma Thompson and Bryn Terfel as Mrs Lovett and the demon barber himself, it declared “there’s no place like London” and has now taken up residence in the Coliseum alongside a cast of nearly 40 musical theatre veterans (and Thompson’s daughter) and a lush-sounding  orchestra of 60.

Thompson and Terfel may be the headline names but the real pleasure comes in the luxury casting that surrounds them. Philip Quast and John Owen-Jones bring a richness of vocal to Judge Turpin and Pirelli respectively, Alex Gaumond and Jack North both mine effectively Dickensian depths to Beadle and Toby and there’s something glorious about having the marvellous Rosalie Craig here, even in so relatively minor a role as the Beggar Woman as her quality shines through despite that wig. Matthew Seadon-Young and Katie Hall as Anthony and Johanna are both really impressive too, their voices marrying beautifully as they respond intuitively to the textures of David Charles Obell’s orchestra. Continue reading “Review: Sweeney Todd, London Coliseum”