Review: Elf, Lowry

The Lowry Theatre's 2017/8 production of Christmas show Elf

“Make it Sparklejollytwinklejingley”

First things first, it’s a really poor show on behalf of those in charge of this production at the Lowry that there was no announcement or any mention of the fact that the understudy for the main part was on. Not for any sniffy reason about wanting to see Ben Forster but rather that it denied Colin Burnicle his spot in the limelight on the first occasion that he got to play the role of Buddy the Elf.

I don’t think Burnicle will mind me saying he had an understandably slightly nervy beginning but he soon settled into the green felt boots of Buddy, working a slightly more frantic Jim Carrey-esque vibe than one might expect from a role originated on screen by Will Ferrell but it was one that worked. And he connected well with former Atomic Kitten Liz McLarnon as his putative love interest Juvie, as under-developed a part it is. Continue reading “Review: Elf, Lowry”

Album Review: Big the Musical (2016 Original UK Cast Recording)

“When we must cross over
Who knows what we’ll find”

A 90s musical of an 80s film – nostalgia has a lot to answer for but it was to Maltby Jr and Shires’ 1996 adaptation of the Tom Hanks-starring film that producers turned for their big Christmas musical at Bord Gais Energy Theatre in Dublin. Morgan Young’s production also had a short run at the Theatre Royal Plymouth and with the creation of this UK cast recording, you wonder whether further plans were in the pipeline for the show.

I’m not holding my breath though, as it doesn’t really sound like that much of a winner. Shire’s score is painfully dated, Maltby’s lyrics provide little spark and as a whole, Big the Musical just sounds a bit twee, a bit inconsequential. There’s little sense at all of the songs driving the narrative, they’re more an inoffensive, intermittent distraction, taking way too long to inch over to even just to ‘pleasant’ on the scale. Continue reading “Album Review: Big the Musical (2016 Original UK Cast Recording)”

Review: White Christmas, Dominion

“Never had to have a chaperone…”

There’s most likely financial reasons for opening White Christmas in early November but it certainly gave many a critic the excuse to get their Scrooge on early. Likewise, there’s reasons of integrity for treating this show like any other in terms of theatrical criticism. But it is hard not to feel that this piece of festive window dressing perhaps deserves something of a free pass as it arguably falls under the bracket of high-class panto rather than fully-fledged musical theatre (even if the ticket prices err towards the latter).
Which is basically code for saying it is undemanding good fun and you pretty much know what you’re going to get in advance – people in search of punchy narrative drive and incisive characterisation are advised to look elsewhere. I actually saw this production in an earlier incarnation on one of its Christmas trips to the Lowry back in 2012 and whilst not being blown away by it, it hit the mark in terms of festive frippery. David Ives and Paul Blake’s book lightly adapts the 1954 classic film but the real star of Morgan Young’s production here of course is Irving Berlin’s evergreen music and lyrics.

So yes, Aled Jones’ Bob doesn’t really spark any real chemistry with Rachel Stanley’s Betty but he croons beautifully through the title track. Tom Chambers’ Phil and Louise Bowden’s Judy are more engaging as the second lead couple (but that’s an age-old tradition – for example, Anita and Bernardo are way more interesting than Tony and Maria..). And yes, Jones and Chambers make an unlikely pair of war veterans turned light entertainment stars but really, if you’re that way inclined to pull at scarcely credible plot threads then you’re most likely in the wrong place.
Rather, disengage critical faculties, engage festive cheer and enjoy what we’re given (preferably with an egg-nog or 2 beforehand). Which is sparkling singing, classy choreography (from Randy Skinner, Helen Rymer and Sara Brians), serendipitous snowfall and a Christmas cracker of a scene-stealing performance from Wendi Peters as a wisecracking, Ethel Merman-like concierge. Thoughts of it may well melt away quickly like a snowman built when it’s not quite cold enough but like the sugary hit of candy-floss, it sure is fun in the moment.
Running time: 2 hours 30 minutes (with interval)
Booking until 3rd January

DVD Review: Mrs Henderson Presents

 “I’m bored with widowhood”

As the aristocratic Lady Conway, Thelma Barlow’s amusing run through the options open to a rich widow of nearly 70 sets up Mrs Henderson Presents succinctly in its opening moments – Laura Henderson pricks her thumb trying embroidery as a hobby and bristles at the snobbery of the ladies who run charities for the deserving and so is left to spend money as she sees fit, alighting on the derelict Windmill Theatre which she purchases in a moment of inspiration as she passes in her car. Martin Sherman’s script is based on the true story of this woman who became an unlikely theatrical impresario and in director Stephen Frears’ hands, Judi Dench delivers a heart-warmingly cracking performance at the centre of a lovely film.

Set in the late 1930s, the story follows Laura as she and her theatre manager, Bob Hoskins’ cantankerous but inspired Vivian van Damm, set up a continuous variety revue called Revudeville and trying to keep ahead of a market full of copycats, they introduce still tableaux of female nudity into the show which becomes a roaring success. The onset of war casts a heavy shadow though and whilst the show continues, providing much needed entertainment and respite, as the bombs fall on London, the determination that the show must go on puts everyone in serious peril. Continue reading “DVD Review: Mrs Henderson Presents”