Jenna Russell will join Christina Modestou as a live special guest for A Night at the Musicals on Sunday, 25 October 2020 at 7pm.
This performance will be live streamed while it plays to a socially distanced audience in The Large using a multi-camera set-up, broadcast globally with unlimited £10 tickets available up until 18 October 2020, increasing to £15 from 19 October 2020 during show week. There is only one chance to catch the performance; it will not be available to catch-up with afterwards. There are live socially distanced audience tickets available to purchase for £22 for those who can make it to the venue. Continue reading “News: Jenna Russell joins A Night at the Musicals”
We’re beginning to see the fruits of some more of the lockdown programming that has seen theatres across England respond in a variety of impressive ways
Nottingham Playhouse’s Unlocked Festival continues to rocket up the must-see list as it announces more details. Their local writing commission has ended up with two winners – Wayward Thread’s Hand Me Down and Lapelle’s Factory’s Shuck, both of which will now receive work-in-progress performances as part of the festival.
Casting has also been announced for James Graham’s Bubble, which will star the marvellous Pearl Mackie and the equally marvellous Jessica Raine. They join the likes of Mark Gatiss and Jade Anouka reading ghost stories on
Halloween, new work from Naomi Obeng and a concert starring Rosalie Craig, Sandra Marvin and Jodie Prenger. Continue reading “News: October UK theatre news update”
I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time taking a turn into the many Open Air Theatre productions he has been witness to. Highly recommended:
Photos: Tristram Kenton
Iris Theatre’s summer season continues with this new folk musical by Jack Miles, which numbers Jordan Castle (The Light in the Piazza), Rebecca McKinnis (Dear Evan Hansen), and Mathew Craig (The Secret Diary of Adrian Mole Aged 13 3/4) in its cast.
C-o-n-t-a-c-t, outdoors in London
31st August – 10th October
C-o-n-t-a-c-t is an immersive outdoor performance with a 3D sound design which audiences will listen to on their own headphones,The play will see performances from Charles Angiama (The Exonerated; My Week with Marilyn), Louis Bernard (Radieuse Vermine), Chloe Gentles (Beautiful – The Carol King Musical), Max Gold (Endeavour; Poldark), Richard Heap (Buried Child; The Summer Before Everything), Aoife Kennan (ITV’s Victoria; For Services Rendered), Katja Quist (Earthquakes In London) and Laura White (The Play That Goes Wrong). The cast will alternate between three London locations; Tower Bridge, Greenwich and Clapham Common.
The Turbine’s summer season will feature this one-off concert with performers delving deep into their wishlists – the company includes Natalie Paris, Tom Duern, Rhianne-Louise McCaulsky, Rodney Vubya, Lauren Byrne, Bernadette Bangura, Luke Bayer, Idriss Kargbo, Courtney Bowman, Michael Mather, Matthew Croke, Kelly Agbowu, Elander Moore, Eve Norris and Pearce Barron.
Omar F Okai’s production of Jason Robert Brown’s two-hander will star Emma Kingston (Evita, In The Heights) as Cathy and Waylon Jacobs (Hamilton, Memphis) as Jamie.
The Barn Theatre has announced the cast for their sixth virtual concert, The Barn Theatre Presents: The Music of Dominic Powell, which will celebrate the work of musical theatre composer Dominic Powell (Cases).
The concert, which will be hosted by Barn Theatre producer Jamie Chapman Dixon, is the sixth edition of the Barn Theatre in Cirencester’s virtual concert series, The Barn Presents:, which celebrates the work of British musical theatre writers.
The concert will feature performances from Andrew Patrick-Walker (Brooklyn, Bat Out of Hell) and Maiya Quansah-Breed (Six) who were cast in the 2020 production of Dominic Powell’s musical Cases at The Other Palace’s Studio space, which was unfortunately cancelled due to the pandemic. Continue reading “News: The Barn Theatre Presents – The Music of Dominic Powell”
Best Feel Good Show
Show You Came Out Dancing To
Five Guys Named Moe
Best Female Performer
Rachel John for Hamilton
Most Heart Stopping Show
Soundtrack of My Soul
Best Male Performer
Layton Williams for Rent
Aesthetic On Point
The Grinning Man
Performer Who Saved The Day
Adam Bayjou for Les Mis
Couldn’t Wait For It To Open
Five Guys Named Moe
The Old Vic
“The plan is to fan this spark into a flame”
It’s not been a hot minute since I last saw Hamilton so just take a look at my original review for the deets.
Running time: 2 hours 35 minutes (with interval)
Booking note – keep your eyes open for returns, of which there have been quite a few. And check your browsers, the Ticketmaster site is most temperamental with the likes of Opera, Firefox and Chrome in my experience, Microsoft’s Edge has been most reliable for me
It’s here! Hamilton finally arrives in the West End and lights up the newly refurbished Victoria Palace Theatre for the ages
“A bunch of revolutionary manumission abolitionists,
Give me a position, show me where the ammunition is”
Change doesn’t just happen, it has to be ushered in by visionaries determined to shake up the status quo to allow the rest of us to shuffle in in their wake. This is true of many things but particularly when it comes to diversity in our theatres, which makes it pleasing that this first production of Hamilton outside of the US has maintained its commitment to multiracial casting in its depiction of the travails of ill-fated Founding Father Alexander Hamilton.
Sure, shows such as Motown the Musical and Dreamgirls offer much-welcomed opportunities for performers of colour. But its the vision of the likes of Michael Buffong and Talawa casting an all-black Guys and Dolls and Hamilton writer Lin-Manuel Miranda and director Thomas Kail making this decision that allows those performers to get the kind of credits on their CV that would otherwise never be gained. Continue reading “Review: Hamilton, Victoria Palace”