“Is he supposed to be nice?”
Just a quickie to cover the first episode of this new Jack Thorne drama on Channel 4, and I’ll review the series as a whole once all four episodes have aired. National Treasure takes its inspiration directly from Operation Yewtree and its revelations about the nefarious activities of veteran TV personages, to give us an exploration into how such a scandal could unfold, sweeping up everyone in its path and uncovering a painstakingly hidden past.
Robbie Coltrane takes the role of Paul Finchley, one half of a much-loved TV comedy duo, whose world is rocked by a historical accusation of rape. Placed under investigation by the police, his personal life is shaken, not least his marriage to Julie Walters and his shaky relationship with recovering addict daughter Andrea Riseborough. And once the news conveniently slips into the media, his professional life is also called into question as the number of accusations multiplies. Continue reading “TV Review: National Treasure, Episode 1”
“How long have you wanted to be a singer?
‘Since I was a kid’”
I don’t think even now I really believe that the kids in the film of Bugsy Malone aren’t actually singing – like with Father Christmas and the future for Wigan Athletic, I choose to believe. Fortunately, there’s no such doubt in Sean Holmes’ production of the show, written by Alan Parker with music and lyrics by Paul Williams, a mammoth run of which has been chosen to inaugurate the newly refurbished Lyric Hammersmith. It’s the first professional production in over a decade of this inimitable Chicago gangster classic and Holmes and children’s casting director Jessica Ronane have pulled together a group of exceptionally talented youngsters who sing live, dance, act and fire splurge guns aplenty
Having seen the show twice now, it is remarkable how different the energy was between the two sets of child performers I got to see, they’ve clearly been encouraged to establish their own mark on their roles and it’s a joy to behold. Max Gill’s Fat Sam is an absolute scene-stealing delight, absolutely nailing the comic timing and slapdash slapstick of this hapless boss whereas Sasha Gray captured more of the attention as a supremely confident Bugsy in his group; Thea Lamb’s achingly soulful voice fills her Blousey full of longing, compared to a perkier turn from Zoe Brough; and I couldn’t pick between Asanda Jezile and Samantha Allison as Tallulah, both shining as this most sardonic of songstresses. Continue reading “Review Bugsy Malone, Lyric Hammersmith”
I realise I’m just adding (belatedly) to the plethora of 2015 features already published but so many of them trod the boringly familiar ground of forthcoming West End shows (and in the Evening Standard’s case, managed to recommend booking for three shows already sold out from their list of six). So I’ve cast my net a little wider and chosen a few random categories for just some of the shows I’m recommending and looking forward to in 2015.
Continue reading “Looking ahead to 2015”