“Some would say change is inevitable”
It was fascinating to go back to Bruce Norris’ multi-award-winning play Clybourne Park more than five years after its London debut both at the Royal Court and then in the West End, particularly since I’d finally gotten round to seeing the play that it riffs on in Lorraine Hansberry’s A Raisin in the Sun. Daniel Buckroyd’s Made in Colchester production originated at the Mercury there last month and pleasingly will tour the UK throughout May, significantly extending the reach of this sharp comedy/
Clybourne Park is the Chicago suburb to which Hansberry’s Younger family intend to move in her 1959 play, its residents committee reacting by trying to buy them off to preserve what they call their ‘common background’ when what they mean is its all-white racial make-up. Norris explores both sides of this by setting his first half in the house the Youngers are trying to buy in 1959 but then skipping forward 50 years after the interval to reveal a changed neighbourhood, riven by the same problems. Continue reading “Review: Clybourne Park, Richmond Theatre”
“Where shall we start?”
Homer’s epic poem The Odyssey is a cornerstone of Western literature and so unsurprisingly has endured and thrived as part of our cultural consciousness since the 8th century BC when it was composed. So its tale of soldier Odysseus’ 20 year absence from his home in Ithica due to the 10 years of the Trojan War and then a troublesome 10 year journey back feels an appropriate fit in the centenary year of the Great War, especially given Mike Kenny’s new version and Sarah Brigham’s inspired direction.
For this interpretation digs deep into both the psychological and practical effects of war. The first half asks searching questions about the nature of telling war stories, Odysseus’ recounting of his trials become a meditation on survivor guilt as he revisits decisions made in the heat of combat, the sacrifices he asked of his men, struggling to rationalise the huge losses incurred. And part two turns its view on those left behind and the difficulties they have to face in welcoming back someone who has been unutterably changed by their experiences. Continue reading “Review: The Odyssey, Derby Theatre”
“Presume not that I am the thing I was”
As we approach the mid-point in the Globe’s calendar for the Kings and Rogues season, Henry IV Part 2 is the latest play to open on Bankside, booking right through until October. Following directly on from the events of Henry IV Part 1, it follows the same characters as the increasingly frail King worries about whether his son Prince Hal is ready to assume the kingship, having fallen back into his wayward ways, Falstaff and his motley crew continue to live life to the full but the shadow of their mortality loom long on the horizon and though rebellion has been quashed, there are still murmurings of discontent.
This is indeed a more reflective play and nowhere is this better personified than in Jamie Parker’s Hal. He looks and sounds older, more mature, having grown into the role of a statesman able to forgive those that crossed him in the past and become the son his father has long sought after by outgrowing the feckless compatriots of his younger days as shown in the crushing final scene. Continue reading “Review: Henry IV Part 2, Shakespeare’s Globe”
“Herein will I imitate the sun, who doth permit the base contagious clouds”
You gotta love the English weather: the two outdoor performances I’ve attended this week have been mostly rained on and the two small theatre pub things have been on ridiculously hot evenings turning them into saunas, you just can’t win sometimes! Fortunately, I was seated for this matinee of Henry IV Part One so I was sheltered from the occasionally heavy showers, not so the yardlings though…
It’s all huge amounts of fun: it starts with a mummers masque and ends with an exuberant jig and is full of music and singing throughout which captured the varying moods of this coming of age story perfectly. Prince Hal, son of Henry IV, is struggling to find himself both personally and politically, amid the pressures from three different groups of people: the politically astute King and his courtiers, the witty and shrewd Falstaff and assorted drinking buddies and the rebel camp headed up by the forthright and charismatic Hotspur, each challenging him a different way. Continue reading “Review: Henry IV Part 1, Shakespeare’s Globe”