Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.
As you may be able to intuit from its regular appearance here, I have become more than a little obsessed with Avenue Q over the past couple of years as it fast became one of my favourite musicals and probably the best new musical I’ve seen full stop. I’ve taken many people, friends and family alike, to see it to near universal acclaim and the soundtrack is often on my iPod, although it has particularly been the London cast that has won my heart.
I suppose I’m getting close to groupie status now, but what can I say, I really love this show! Again, not a huge amount to report in how Avenue Q remains a completely guilt-free feel-good pleasure and still as funny as ever, look in the archive for more in-depth writing. It was, however, pleasing to see that whilst Clare Foster was covering for Julie Atherton, I really didn’t mind too much and ended up being quite impressed by her performance. The debutants in the cast didn’t fare quite as well for me.
Making her professional stage debut in the role of Christmas Eve, Jennifer Tanarez is having something of a baptism of fire and she does look a little overwhelmed. Her nerves were far too apparent, resulting in her missing too many comedic notes but as her accent is completely garbled and unfocused, she fails to capture the lyrical dexterity and emotion needed to really deliver ‘The More You Ruv Someone’ effectively and that song is the key to Christmas Eve. Continue reading “Review: Avenue Q, Noël Coward”
So, up to my third trip to Avenue Q now with yet another group of people to whom I have raved about this show: I feel I ought to get some kind of commission at this rate. This will be a short piece as you can read my earlier two reviews which cover the production in much more depth.
The only notable change is the first major cast replacement with Ann Harada, who came over from the New York cast when this first opened, leaving the role of Christmas Eve to be replaced with Naoko Mori, who is perhaps most famous from her role in Doctor Who spin-off Torchwood. Making a completely different visual impact and bringing a different comic sensibility to the part, Mori impressed despite perhaps not inspiring the same vocal confidence as Harada. Continue reading “Re-Review: Avenue Q again again! Noël Coward Theatre”