The 2019 London Evening Standard Theatre Awards – Shortlist announced

Proper award season is starting to kick into gear now with the reveal of the shortlist for the 2019 London Evening Standard Theatre Awards and an uncharacteristically strong set of nominations that will surprise a fair few. I had little love for Sweet Charity so I’d’ve bumped its nod for something else but generally speaking, I’m loving the love for Dorfman shows and the Royal Court and I hate the reminder that there’s a couple of things I mistakenly decided not to see (Out of Water, …kylie jenner)

BEST ACTOR in partnership with Ambassador Theatre Group
K. Todd Freeman Downstate, National Theatre (Dorfman)
Francis Guinan Downstate, National Theatre (Dorfman)
Tom Hiddleston Betrayal, Harold Pinter Theatre
Wendell Pierce Death of a Salesman, Young Vic & Piccadilly
Andrew Scott Present Laughter, Old Vic

NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Hayley Atwell Rosmersholm, Duke of York’s
Cecilia Noble Downstate, National Theatre (Dorfman) & Faith, Hope and Charity, National Theatre (Dorfman)
Dame Maggie Smith A German Life, Bridge
Juliet Stevenson The Doctor, Almeida
Anjana Vasan A Doll’s House, Lyric Hammersmith Continue reading “The 2019 London Evening Standard Theatre Awards – Shortlist announced”

10 questions for 10 years – Stewart Pringle

Is Stewart Pringle a closet Wicked fan? Find out this and more as he goes in 10 for 10

Writer, dramaturg, former reviewer and Artistic Director, candlestick-maker – Stewart Pringle has worn many hats (and one of those might be a fib). His reviews for The Stage were always ones to treasure but his Papatango-winning play Trestle was a proper minor-key delight 

  • Where were you 10 years ago?

    Finishing my MPhil dissertation, so lost in a quagmire of batty mid-20th century occultists. I’d forsaken the theatre to try to become an academic, which lasted for all of about 18 months before it pulled me back in. I tried to escape again in 2012 and that time I lasted for about 4 weeks. I won’t be trying it a third time. Continue reading “10 questions for 10 years – Stewart Pringle”

2017 Offie Award Winners

Offies Awards - Off West End Theatre Awards

Best Female 
Louise Jameson in The Diva Drag at The Hope 
Lydia Larson in Skin A Cat at The Bunker
Sarah Ridgeway in Fury at Soho Theatre 
Jenna Russell in Grey Gardens at Southwark Playhouse

Best Supporting Female 
Lynette Clarke in Karagula at The Styx
Joanna Hickman in Ragtime at Charing Cross Theatre
Sasha Waddell in After October at The Finborough

Best Male 
Fiston Barek in The Rolling Stone at The Orange Tree 
Phil Dunster in Pink Mist at The Bush 
Paul Keating in Kenny Morgan at The Arcola
John Ramm in Sheppey at The Orange Tree Continue reading “2017 Offie Award Winners”

News: #AlsoRecognised Awards shortlists announced

Shortlists for the third annual Also Recognised Awards have been announced by MyTheatreMates, founded by Mark Shenton and Terri Paddock. These audience-voted industry accolades celebrate talent in fields often overlooked by other award bodies. Voting is now open for all categories and closes on Sunday 26th March 2017. Cast your vote at: www.mytheatremates.com/AlsoRecognisedAwards-2017/
 
The aim of the awards is to recognise some of those categories that are sometimes overlooked in other awards – for example, Best Musical Direction is one that is sadly unique to the Also Recognised roster. There’s also a nod to the behind-the-scenes folk with awards for Best Twitter Engagement, Show Trailer and Show Poster recognising the invaluable part that marketing, especially digitally, has to play in the industry.
 
So find the shortlists below and head over to My Theatre Mates to cast your vote. I helped to draw up these lists along with Mark and Terri, Andrew Keates and Mike Dixon, and the rest of the My Theatre Mates collective, and I think the blend of West End, Off-West End, fringe and regional nominees reflects that, so I’ll be most interested to see how the results pan out.

Continue reading “News: #AlsoRecognised Awards shortlists announced”

2017 Offie Award Finalists

Offies Awards - Off West End Theatre Awards

Best Female 
Louise Jameson in The Diva Drag at The Hope 
Lydia Larson in Skin A Cat at The Bunker
Sarah Ridgeway in Fury at Soho Theatre 
Jenna Russell in Grey Gardens at Southwark Playhouse

Best Supporting Female 
Lynette Clarke in Karagula at The Styx
Joanna Hickman in Ragtime at Charing Cross Theatre
Sasha Waddell in After October at The Finborough

Best Male 
Fiston Barek in The Rolling Stone at The Orange Tree 
Phil Dunster in Pink Mist at The Bush 
Paul Keating in Kenny Morgan at The Arcola
John Ramm in Sheppey at The Orange Tree Continue reading “2017 Offie Award Finalists”

Review: Jess and Joe Forever, Orange Tree

“I thought this was about growing up”

Superficially, Jess and Joe Forever is indeed about growing up, following as it does its two named characters from the ages of nine to fifteen. But it’s also about so much more, as Zoe Cooper painstakingly and poignantly lays the path for one of the most affecting treatments of its particular issue that I’ve ever seen. To say much more plotwise would spoil the play but I will say that even know I knew ‘something’ was coming, from various friends persuading me to go, I was enjoying myself so much in the first half that I’d forgotten ‘something’ had yet to happen.

And that’s testament to the beautiful direction from Derek Bond. Sensitive and nuanced, he takes us through all the growing pains of Rhys Isaac-Jones’ Norfolk-farmer-in-the-making Joe and Nicola Coughlan’s Scotch egg-munching city girl Jess, their relationship progressing from summer to summer. And as they relate their story to us, in a fourth-wall-smashing style that also allows them to reflect on the emotional weight of their life story so far, it’s impossible not to get swept up in the heady humour of their innate differences and the wackiness of rural East Anglian life, facilitated by James Perkins’ soil-covered set design. Continue reading “Review: Jess and Joe Forever, Orange Tree”